Award-winning Sundance hit!
The last female beehunter in Europe must save the bees and return the natural balance in Honeyland, when a family of nomadic beekeepers invade her land and threaten her livelihood. This film is an exploration of an observational Indigenous visual narrative that deeply impacts our behavior towards natural resources and the human condition.
Oh hi Mark!
Come celebrate The Room’s 16 year anniversary with costar Greg Sestero in person for a live Q&A. Prior to the screening, a behind the scenes documentary about the making of the film as well as a live script reading with the audience. Join us!
CINEMA-WORCESTER's first collaboration with The BANCROFT SCHOOL, showing at their wonderful Harrington Theater!
Critically acclaimed documentary presenting Aretha Franklin with choir at the New Bethel Baptist Church in Watts, Los Angeles in January 1972.
"Sydney Pollack's unfinished documentary, unearthed and reassembled after nearly 50 years, is a priceless gift to music fans." Newday
A stunning sensory experience and cinematic meditation on humanity’s massive reengineering of the planet, Anthropocene: The Human Epoch is a years-in-the-making feature documentary from the award-winning team behind Manufactured Landscapes (2006) and Watermark (2013) and narrated by Alicia Vikander. The film follows the research of an international body of scientists, the Anthropocene Working Group who, after nearly 10 years of research, argue that the Holocene Epoch gave way to the Anthropocene Epoch in the mid-twentieth century as a result of profound and lasting human changes to the Earth.
Umar Bin Hassan hasn’t even hit 70 yet, but he walks with difficulty and there’s sadness and fatigue in his eyes. As a member of The Last Poets, a group of performance poets who expressed the progressive spirit of the times starting in the late 1960s, he was a major influence on later hip-hop artists. In one of his best-known pieces, "Ni****s Are Scared of Revolution", he criticizes his black brothers’ destructive, macho behavior.
Scared of Revolution concentrates on Hassan’s personal life, in which he still fights his demons. He grew up poor with a violent, unpredictable father, which in turn left him with an inferiority complex. In the course of his adult life, he has had a string of bad relationships and left children without a father figure. In his darkest hour, he also battled a crack addiction.
“Deep inside, Umar was scared of the revolution himself,” says fellow member of The Last Poets Abiodun Oyewole. But Hassan takes control of his life again, breaks the destructive cycle and does his best to be the devoted father and grandfather that he was never fortunate enough to have.
Come enjoy the season with The (independent) film that redefined movie terror forever at Greater Good! Great beer of course, and also delcious sweets from Mrs. Moriconi's! Admission $5!
On a cold Halloween night in 1963, six-year-old Michael Myers brutally murdered his 17-year-old sister, Judith. He was sentenced and locked away inside a sanitarium under the care of child psychiatrist Dr. Sam Loomis. On October 30, 1978, Myers escapes and makes his way back home to Haddonfield, turning a night of tricks and treats into something much more sinister for three young women, including Laurie Strode, the star-making role for Jamie Lee Curtis.
This year’s release is a restored and remastered digital print, created under the supervision of the world-renowned cinematographer, Dean Cundey.
For over half a century, 60 Minutes' fearsome newsman Mike Wallace went head-to-head with the world's most influential figures. Relying exclusively on archival footage, the film interrogates the interrogator, tracking Mike's storied career and troubled personal life while unpacking how broadcast journalism evolved to today's precarious tipping point.
As solidly compelling as its subject's best reporting, Mike Wallace Is Here is a worthy tribute and an engrossing look at the changing landscape of modern news.
Jessie Buckley delivers an unforgettable, star-making performance as Rose-Lynn Harlan, a rebellious country singer who dreams of trading the working-class streets of Glasgow for the Grand Ole Opry of Nashville.
Fresh out of prison, Rose-Lynn juggles her menial job, two children, and committed mother, expertly portrayed by Oscar-nominee Julie Walters, as she pursues her bold ambition of a one-way ticket to musical stardom. With the support of her boss (Sophie Okonedo), Rose-Lynn embarks on a life-changing journey that challenges her sense of self and helps her discover her true voice.
Complete with an electrifying soundtrack performed by Buckley, WILD ROSE is a joyous human story steeped in music, courage, family, and achieving your dreams - no matter how far away they may appear. After all, all you need are three chords and the truth.
101 Minutes
R (for language throughout, some sexuality and brief drug material)
This artful and intimate meditation on the legendary storyteller examines her life, her works and the powerful themes she has confronted throughout her literary career. Toni Morrison leads an assembly of her peers, critics and colleagues on an exploration of race, history, America and the human condition.
119 min
Jimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind.
"The Last Black Man in San Francisco is a poetic and picturesque ode to the title city, to friendship and to the universal urge to find a place to call home." Toronto Star
R (for language, brief nudity and drug use)
120 Min
Echo In The Canyon celebrates the explosion of popular music that came out of LA's Laurel Canyon in the mid-60s as folk went electric and The Byrds, The Beach Boys, Buffalo Springfield and The Mamas and the Papas gave birth to the California Sound. It was a moment (1965 to 1967) when bands came to LA to emulate The Beatles and Laurel Canyon emerged as a hotbed of creativity and collaboration for a new generation of musicians who would soon put an indelible stamp on the history of American popular music. Featuring Jakob Dylan, the film explores the beginnings of the Laurel Canyon music scene. Dylan uncovers never-before-heard personal details behind the bands and their songs and how that music continues to inspire today. Echo in the Canyon contains candid conversations and performances with Brian Wilson, Ringo Starr, Michelle Phillips, Eric Clapton, Stephen Stills, David Crosby, Graham Nash, Roger McGuinn and Jackson Browne as well as contemporary musicians they influenced such as Tom Petty (in his very last film interview), Beck, Fiona Apple, Cat Power, Regina Spektor and Norah Jones.
Cambodia, April 1975. Chou is a young woman whose everyday world is suddenly upended by the arrival of the Khmer Rouge regime. During the chaos of the forced exile from their home, Chou and her husband are separated from their 4-year-old son, who has been sent to an unknown location. As she navigates her new reality, working in the fields day and night under the careful watch of soldiers, and surviving the small indignities and harrowing realities of the increasingly grim work camps, Chou remains steadfast in her determination to reunite her family - even if it means risking everything.
Winner of the top prizes at the Annecy Animation Festival and the Animation is Film Festival, Funan is a searing and remarkable debut from filmmaker Denis Do, who uses his own family history as inspiration for a thrilling story of love, loss and enduring hope in the most trying of times. Featuring the voices of Bérénice Bejo (The Artist) and Louis Garrel (The Dreamers).
NR (12+ recommended)
Runtime 84 minutes
In French, with subtitles
SPECIAL EVENT!! A stunning film/food/beer collaboration!
Come see the cult/food/film classic "Tampopo" at Greater Good Imperial Brew Co. and eat delicious food available from Wooden Noodles! Tickets only 7.50!
The tale of an enigmatic band of ramen ronin who guide the widow of a noodle shop owner on her quest for the perfect recipe, Tampopo serves up a savory broth of culinary adventure seasoned with offbeat comedy sketches and the erotic exploits of a gastronome gangster. Sweet, sexy, surreal, and mouthwatering, Tampopo remains one of the most delectable examples of food on film.
The 2019 Sundance Film Festival Short Film Tour is a 97-minute theatrical program of seven short films selected from this year’s Festival, widely considered the premier showcase for short films and the launchpad for many now-prominent independent filmmakers for more than 30 years. Including fiction, documentary, and animation from around the world, the 2019 program offers new audiences a taste of what the Festival offers, from sharply-written comedy and drama to edgy genre and an intimate family saga.
Fueled by artistic expression and limited only by their runtime, short films transcend traditional storytelling. They are a significant and popular way artists can connect with audiences. From documentary to animation, narrative to experimental, the abbreviated form is made for risk-taking. The Festival has always treated short films with the highest regard and gives a home to both established and new filmmakers with shorts for audiences to discover and celebrate.
The Festival's Short Film Program has long been established as a place to discover talented directors, such as past alums Damien Chazelle, Wes Anderson, Jill Soloway, Spike Jonze, Paul Thomas Anderson, Dee Rees, Taika Waititi, Trey Parker and Matt Stone, Lake Bell, Debra Granik, Jay and Mark Duplass, Todd Haynes, Lynne Ramsay, Andrea Arnold, and many others.
Monte (Robert Pattinson) and his baby daughter are the last survivors of a damned and dangerous mission to the outer reaches of the solar system.The crew death-row inmates led by a doctor (Juliette Binoche) with sinister motives has vanished. As the mystery of what happened onboard the ship is unraveled, father and daughter must rely on each other to survive as they hurtle toward the oblivion of a black hole. A staggering and primal film about love and intimacy, suffused with anguished memories of a lost Earth, High Life is a haunting, thrilling achievement from visionary director Claire Denis .
Rated R
110 Minutes
*Official MPAA Rating: Rated R for disturbing sexual and violent content including sexual assault, graphic nudity, and for language.
Join us for film & discussion for the final film in our French New Wave series. Jared Wagner will introduce the film and lead a discussion following. *Jared also writes a blog on the cinema-worcester website: https://www.cinema-worcester.com/truthat24frames/
A cornerstone of the French New Wave, the first feature from Alain Resnais is one of the most influential films of all time. A French actress (Emmanuelle Riva) and a Japanese architect (Eiji Okada) engage in a brief, intense affair in postwar Hiroshima, their consuming mutual fascination impelling them to exorcise their own scarred memories of love and suffering. With an innovative flashback structure and an Academy Award–nominated screenplay by novelist Marguerite Duras, Hiroshima mon amour is a moody masterwork that delicately weaves past and present, personal pain and public anguish.
Becky Something (Elisabeth Moss) is a '90s punk rock superstar who once filled arenas with her grungy all-female trio Something She. Now she plays smaller venues while grappling with motherhood, exhausted bandmates, nervous record company executives, and a new generation of rising talent eager to usurp her stardom. When Becky's chaos and excesses derail a recording session and national tour, she finds herself shunned, isolated and alone. Forced to get sober, temper her demons, and reckon with the past, she retreats from the spotlight and tries to recapture the creative inspiration that led her band to success.
In the mid-19th century, Emily Dickinson is writing prolifically, baking gingerbread, and enjoying a passionate, lifelong romantic relationship with another woman, her friend and sisterin-law Susan...yes this is the iconic American poet, popularly thought to have been a recluse. Beloved comic Molly Shannon leads in this humorous yet bold reappraisal of Dickinson, informed by her private letters. While seeking publication of some of the 1,775 poems written during her lifetime, Emily (Shannon) finds herself facing a troupe of male literary gatekeepers too confused by her genius to take her work seriously. Instead her work attracts the attention of an ambitious woman editor, who also sees Emily as a convenient cover for her own role in buttoned-up Amherst's most bizarre love triangle. A timely critique of how women's history is rewritten, Wild Nights With Emily remains vibrant, irreverent and tender--a perhaps closer depiction of Emily Dickinson's real life than anything seen before.
"A Devilishly Fun Documentary About Faith in America" - IndieWire
What is the Satanic Temple? Is it religion? A cult? Performance art? Acclaimed filmmaker Penny Lane gains unprecedented access to this enigmatic movement, which has grown to over 100,000 members around the world in just five years. HAIL SATAN? explores the Temple's fight for equality, its focus on community, and its devilish sense of humor. In an era when founding principles and institutions can't be trusted to work on behalf of all people, these progressive Satanic crusaders advocate to save the soul of a nation.
Runtime: 1hr 35min
Rated R
Bursting with the colorful street style & music of Nairobi’s vibrant youth culture, RAFIKI is a tender love story between two young women in a country that still criminalizes homosexuality. Kena and Ziki have long been told that “good Kenyan girls become good Kenyan wives” - but they yearn for something more. Despite the political rivalry between their families, the girls encourage each other to pursue their dreams in a conservative society. When love blossoms between them, Kena and Ziki must choose between happiness and safety.
Initially banned in Kenya for its positive portrayal of queer romance, RAFIKI won a landmark supreme court case chipping away at Kenyan anti-LGBT legislation. Featuring remarkable performances by newcomers Samantha Mugatsia and Sheila Munyiva, RAFIKI is a hip tale of first love “reminiscent of the early work of Spike Lee” (Screen Daily) that’s “impossible not to celebrate” (Variety)!
runtime: 1hr 23 min
Join us for film & discussion for part 3 of our 4 part French New Wave series. Jared Wagner will introduce each film and lead a discussion following the film. *Jared also writes a blog on the cinema-worcester website: https://www.cinema-worcester.com/truthat24frames/
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer (Corinne Marchand) set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand (The Umbrellas of Cherbourg) and cameos by Jean-Luc Godard and Anna Karina.
Halla is a fifty-year-old independent woman. But behind the scenes of a quiet routine, she leads a double life as a passionate environmental activist. Known to others only by her alias "The Woman of the Mountain," Halla secretly wages a one-woman-war on the local aluminum industry. As Halla's actions grow bolder, from petty vandalism to outright industrial sabotage, she succeeds in pausing the negotiations between the Icelandic government and the corporation building a new aluminum smelter. But right as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that changes her perspective...
A beloved but rarely seen gem of pure cinéma vérité in which Sister Marie Arné and Sister Mary Campion tour Chicago during the Summer of Love, asking: “Are you happy?”
Inquiring Nuns captures the attitudes, fears, and dreams of everyday Chicagoans, giving audiences and researchers insight into the political and social climate of 1960’s Chicago. The film’s music is composed by Philip Glass in his first credited film score.
What is CINEMA-WORCESTER up to?!
At this informational session we will talk about what CINEMA-WORCESTER is, its current state of operations, a vision of what it could become and some initial practical steps to get there.
We invite all interested parties! We are also looking to identify energized individuals skilled in the following areas to help us on our journey: non-profit management, fund raising, cinema operations, film history and criticism, graphic arts, social media, and more. Anyone interested in getting on our volunteer list also more than welcome!
Join us, and consider helping CINEMA-WORCESTER reach its goal of becoming a full time, independent cinema in Worcester showing the best and most thought provoking films from all over the world. Popcorn will be served!
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#MakeArtEverywhere, #WorcesterCulturalCoalition #TheWorcesterPopUp
Disclaimer:
“The Worcester PopUp is a creative co-working space of the Worcester Cultural Coalition in partnership with The Barr Foundation. This event is not sponsored by, nor does it necessarily reflect the views of the Worcester Cultural Coalition.”
Join us for film & discussion for part 2 of our 4 part French New Wave series. Jared Wagner will introduce each film and lead a discussion following the film. *Jared also writes a blog on the cinema-worcester website: https://www.cinema-worcester.com/truthat24frames/
Hailed as one of the finest films ever made, Jules and Jim charts, over twenty-five years, the relationship between two friends and the object of their mutual obsession. The legendary François Truffaut directs, and Jeanne Moreau stars as the alluring and willful Catherine, whose enigmatic smile and passionate nature lure Jules (Oskar Werner) and Jim (Henri Serre) into one of cinema’s most captivating romantic triangles. An exuberant and poignant meditation on freedom, loyalty, and the fortitude of love, Jules and Jim was a worldwide smash in 1962 and remains every bit as audacious and entrancing today.
Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South - trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.
"You could call it a transcendental scrapbook, because it wipes away the muck of subjectivity that guides most movies. It turns the audience into direct receptors of experience." Variety
From acclaimed director Mamoru Hosoda (Summer Wars, Wolf Children) and Japan’s Studio Chizu comes Mirai, a daringly original story of love passed down through generations. When four-year-old Kun meets his new baby sister, his world is turned upside down. Named Mirai (meaning “future”), the baby quickly wins the hearts of Kun’s entire family. As his mother returns to work, and his father struggles to run the household, Kun becomes increasingly jealous of baby Mirai... until one day he storms off into the garden, where he encounters strange guests from the past and future – including his sister Mirai, as a teenager. Together, Kun and teenage Mirai go on a journey through time and space, uncovering their family’s incredible story. But why did Mirai come from the future?
Oscar nominated for best animated film of 2018! An official selection at Cannes Directors’ Fortnight, and the epic capstone of director Mamoru Hosoda’s career, Mirai is a sumptuous, magical, and emotionally soaring adventure.
Dubbed in English
Rated PG
Join us for film & discussion for part 1 of our 4 part French New Wave series. Jared Wagner will introduce each film and lead a discussion following the film. *Jared also writes a blog on the cinema-worcester website: https://www.cinema-worcester.com/truthat24frames/
Screenwriter Paul Javal's marriage to his wife Camille disintegrates during movie production as she spends time with the producer. Layered conflicts between art and business ensue.
"Possibly Godard's most melancholy film and probably his most beautiful ..." Variety
Runtime: 101 min
When eight-year-old Shula turns up alone and unannounced in a rural Zambian village, the locals are suspicious. A minor incident escalates to a full-blown witch trial, where she is found guilty and sentenced to life on a state-run witch camp. There, she is tethered to a long white ribbon and told that if she ever tries to run away, she will be transformed into a goat. As the days pass, Shula begins to settle into her new community, but a threat looms on the horizon. Soon she is forced to make a difficult decision – whether to resign herself to life on the camp, or take a risk for freedom.
At times moving, often funny and occasionally surreal, I Am Not a Witch offers spellbinding storytelling with flashes of anarchic humor. Audacious and unforgettable, it showcases Rungano Nyoni as a fresh and fearless new voice in British film.
For over six years, and for reasons he can't explain, Matt Green, 37, has been walking every block of every street in New York City – a journey of more than 8,000 miles. From filmmaker Jeremy Workman and Executive Producer Jesse Eisenberg, THE WORLD BEFORE YOUR FEET tells the story of one man’s unusual personal quest and the unexpected journey of discovery, humanity, and wonder that ensues.
Tickets: General Admission $10; Senior / Student with ID $8.50
Somewhere in Tokyo, Osamu Shibata and his wife Nobuyo live in poverty. While Osamu receives occasional employment and Nobuyo has a low-paying job, the family relies in large part on the grandmother's pension. As he is shoplifting for groceries with his son, Shota, they discover Yuri, a homeless girl. Osamu takes her home, where the family observes evidence of abuse. Despite their strained finances, they informally adopt her.
The film premiered on 13 May 2018 at the Cannes Film Festival, where it went on to win the Palme d'Or. The film was released in Japan on 8 June 2018 and was a critical and commercial success.
Tickets: General Admission $10 / Seniors & Students with ID $8.50
The 4th and final of 4 great Bergman films in our monthly series "Communicating Bergman", with introduction and discussion with Jared Wagner!
*Jared's writing is also featured at www.cinema-worcester.com/truthat24frames, including information on the film screening each month.
Join us at 6:30 for informal discussion and grab a beverage from Acoustic Java's menu. Film introduction starts at 7 PM followed by screening.
Scenes from a Marriage chronicles the many years of love and turmoil that bind Marianne (Liv Ullmann) and Johan (Erland Josephson) through matrimony, infidelity, divorce, and subsequent partners.
"In ‘Support the Girls,’ Sisterhood Is Funny, Essential and Sweet" - NY Times
"Top 10 of 2018!" - RogerEbert.com
Regina Hall (Girls Trip) stars as the hardworking manager of Double Whammies, a “sports bar with curves.” She runs the joint like a family, but over the course of one challenging day her incurable optimism is tested by sketchy employees, bad customers and an even worse boss. From director Andrew Bujalski (Results) featuring Haley Lu Richardson (Split), James Le Gros (Certain Women), Dylan Gelula (Her Smell), Brooklyn Decker (Battleship), Jana Kramer (“One Tree Hill”), Lea DeLaria (“Orange Is the New Black”) and more.
Rated R
1 hr 34 minutes
General Admission $10 / Senior & Student with ID $8.50
Under the guidance of acclaimed South African storyteller, Gcina Mhlophe, five orphaned children from Swaziland collaborate to craft an original fairy tale drawn from their darkest memories and brightest dreams. Their fictional character, Liyana, is brought to life in innovative animated artwork as she embarks on a dangerous quest to rescue her young twin brothers. The children's real and imagined worlds begin to converge, and they must choose what kind of story they will tell - in fiction and in their own lives. This inspiring tale of perseverance is a tribute to creativity, the strength of the human spirit, and the healing power storytelling.
Tickets: General Admission $10 / Seniors & Students with ID $8.50
The third of 4 great Bergman films in our monthly series "Communicating Bergman", with introduction and discussion with Jared Wagner!
*Jared's writing is also featured at www.cinema-worcester.com/truthat24frames, including information on the film screening each month.
Join us at 6:30 for informal discussion and grab a beverage from Acoustic Java's menu. Film introduction starts at 7 PM followed by screening.
While vacationing on a remote Scandanavian island with his younger pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.
With Director James Demo in person!
A NY Times Critics' Pick and multi-award winning film, THE PEACEMAKER is an intimate portrait of international peacemaker Padraig O'Malley - who helps make peace for others but struggles to find it for himself. The film takes us from Padraig's isolated life in Cambridge, Massachusetts to some of the most dangerous crisis zones on Earth – from Northern Ireland to Kosovo, Nigeria to Iraq – as he works a peacemaking model based on his recovery from addiction. We meet Padraig in the third act of his life in a race against time to find some kind of salvation for both the world and himself.
